Roy Cagle

Roy Cagle around 1963

Roy Cagle - Natchitoches Country Soul Man

I have recently dived into the local music scenes of Louisiana much due to a Bear Family CD project I curated and researched. It is always amazing how much local music you discover when you dive a bit deeper. Accidently, while looking for something different, I stumbled across Roy Cagle, who was a local singer from Natchitoches Parish in Northwest Louisiana. Cagle recorded a few singles during the 1960s and 1970s for different labels and was adept at different styles, including country, soul, and rock'n'roll. My local Louisiana correspondent and fellow record collector Marshal Martin found out that Cagle enjoyed some popularity in the region: "My dad worked out there [Robeline] for almost 20 years. [...] I mentioned him [Roy Cagle] to my dad and he said people talked about him a good bit while he was out there. He said he lived out in Marthaville, which is about 15 minutes outside of Robeline."   

Glyn Roy Cagle, Sr., was born on December 3, 1941, in Robeline, a tiny community in Natchitoches Parish. Born to Herbert and Mary Jordan Cagle, he had a sister, Thelma, and a brother, Vernon. Cagle was musically talented and learned to play different instruments. He was taught piano by his friend Leonard Parker and it later became his main instrument.

He likely began to perform in the late 1950s, when rock'n'roll was still big but eventually changed his style towards country and soul music. It is likely, however, that he incorporated different genres into his repertoire to meet the demands of his audiences. In 1962, he had founded a band which could be seen on local TV station KALB from Alexandria, Louisiana. For some time around 1963, Cagle worked with the Parker Brothers from nearby Natchitoches. While the brothers' band disbanded at some point, he continued to work with Jesse Parker on and off during the 1960s and 1970s. Interviewed about Cagle by Marshal Martin, Parker remembered that Cagle had a big old Hammond organ and they "dragged that thing everywhere. Dragged it through the snow, climbed it upstairs. Wherever Roy went, that organ went, too."

The Natchitoches Enterprise, September 6, 1962

Throughout the years, Cagle also made a few records. Probably his first was for the Ville Platte based Hi-Lite label, featuring "Reelin' & Rockin'" b/w "I Need My Baby". I would place this into the early 1960s time frame, though there is really no hint to a date. On this disc, Cagle is in fine rock'n'roll mood with a Chuck Berry cover and an original song. At that time, Cagle was associated with Floyd Soileau's Ville Platte based Flat Town Music publishing company - Soileau owned the legendary JIN label - and Cagle co-wrote the songs "Love Me" and "Stay with Me", which were recorded by Rufus & Roscoe on the R&R label. At one point, Cagle also auditioned at Paula Records, one of Louisiana's biggest record labels, but the owner turned him down as he said Cagle's songs sounded too much like the material they already issued. After that, Cagle never tried to get on a bigger label.

Around 1971, Cagle cut two soul records with (probably) different studio bands for the Graham Cracker and Soul Train labels. "I Can't Find It", from Soul Train #RFM-411, became a worthy collectors item in soul music circles. In 1978, he and bassist/guitarist/vocalist Tim Murphy were members of the country rock band "Snuff Ridge" and the combo cut an album of country covers in Shreveport, though details escape me. Finally, Cagle had a record out on J.D. Miller's Showtime label in 1981.

Cagle kept on performing locally throughout the years. He had married Shelia Pleasant in 1971 and they had six children. He suffered from declining health in 2021 and passed away on December 21, 2021, in Shreveport at the age of 80 years. 

See also

• RFM - The Mysterious Record Company

Sources

• Find a Grave entry

• 45cat entry

• Rockin' Country Style

• Discogs entry for Roy Cagle and for Flat Town Music Company

• Timmy Murphy Band
• Special thanks to Marshal Martin for researching a good bit on the spot!

Willie Gregg

Willie Gregg

Country King of the Golden Triangle

Willie Gregg came to my attention in 2013, when I purchased his Waterflow 45 featuring a superb cover of Merle Haggard's "If You Want to Be My Woman". The recording is pure country bop with a great steel guitar break. The song prompted my to look out for more Gregg records and over the years, I managed to add four more discs to my collection. Looking for the next swinging country bopper, I learned that Gregg specialized more in tearjerkers like his signature song "You Fool". For years, I chased down every hint to find information on him but in most cases, was left without any substantial details. This has now changed thanks to an extensive search in the newspaper.com archives.

Willie Clyde Gregg was born on February 20, 1940, to John D.  and Evelyn Gregg in Port Arthur, Texas. At that time, the family was living on West 18th Street. Located on the banks of Sabine Lake, Port Arthur is part of a metropolitan area that also includes the cities Groves, Beaumont, and a bit more east, Orange, also known as the "Golden Triangle". This area is the far southeastern corner of Texas next to Louisiana. Apparently, the Gregg family name is quite common in this area so it was not an easy task to track down the right family. 

As a young man, Gregg began working as a butcher, a profession would also occupy in later years. In 1961, Gregg enlisted in the US Army and was sent overseas for service in Europe. His military time included a long-time stint in Germany and it was there that he started singing and playing the guitar. Called "the best singer on the post", he quickly organized a band and played the German taverns around the post for three years. 

He returned to the US and civilian life in 1965 and it seems, right after his return, threw himself into the Southeast Texas music scene. He joined Bertis Savoy's band, the Velvetones, and performed with this outfit regularly at the Club 87 outside of Orange on Highway 87. Savoy was a disc jockey on KHGM, a musician and also emceed shows in the area. Gregg would work with Savoy for several years.

The Orange Leader, January 12, 1966

During this time, Gregg had the chance to make his first record. Billy Thompson, a western swing musician who had performed with the likes of Hank Thompson and the Miller Brothers Band, owned the Kay-Bar-Dane record label in Orange and released Gregg's "You Fool" b/w "I'll Find You" in 1966 (#044). He was backed by the Velvetones on this disc and both songs turned out as soft country ballads. The Orange Leader newspaper mentioned on December 21, 1966, that "You Fool" was "popular in the immediate area and is among the top rated recordings of country-western music in Alabama". Indeed, "You Fool" became THE song of Gregg's career, as he would record another three versions of it throughout the years. 

Gregg stayed with the Velvetones through 1967 but formed his own band around 1968, the Country Kings, and landed a spot at Bendy's Danceland (later called the High Chaparral), a club in Bridge City, halfway between Groves and Orange. The same year, he released two more singles. For Bridge-Way Records, a local Houston imprint, he recorded "Rebel" b/w "A Heart Afraid to Break", and Gregg re-cut "You Fool" along with "How Long" for J.D. Miller's Ringo label in Crowley, Louisiana. All of them were in the same vein as his debut - soft, slow country ballads but without any hints of Nashville overproductions. With Gregg's calm singing voice and slight steel guitar fills, these recordings feature a down-to-earth charm.

Gregg continued to perform in the area and had at least two more records released. In 1969, he and the Country Kings cut the Merle Haggard song "If You Want to Be My Woman" - a great country shuffle - with a ballad, "She's No Good". Both songs appeared on Tee Bruce's Waterflow label (#702). Bruce was a producer based in the same area as Gregg and was instrumental in bringing Cajun music onto Texas radio. Gregg's records were solid sellers in his home regions but did not break out of the regional scene. Though, he would soon be rewarded with another shot at the market.

Fellow Texan Tommy Hill, who had been a chief engineer and producer at Starday Records, led the Stop label in Nashville around this time and Gregg was given the chance to record one single for the company in 1971. Along with a third version of "You Fool", he also cut the Larry Kingston composition "The Girls in Milwaukee" and both were released on Stop #1532. Again, it failed to chart and his trip to the bright lights of Music City USA seems to have ended afterwards.

Gregg kept on performing throughout the 1970s in such spots as the Sparkle Paradise in Bridge City, the Cotton Cay in Orange, or the Club 88. In fact, he and his band held down a regular gig at the Cotton Cay for six consecutive years. In December 1969, Gregg had renamed his band "The Fools" in reference to his signature song. The group included Gregg on vocals and rhythm guitar, Johnny Husband on lead guitar, Bobby Tyler on bass, and Gene Edgerly on drums.

The Orange Leader, January 12, 1973

He stopped performing in 1980 and began working as a carpenter, operating his own shop on Melcer Road with the help of his father-in-law, manufacturing cabinets of all kinds. By then, he was living in Little Cypress north of Orange. However, he had returned to occasional performing two years later. In the late 1980s, Gregg led a band called the Honky Tonk Cowboys, which included himself on vocals and rhythm guitar, his old friend Bertis Savoy on lead guitar, Elton Brently on fiddle, Marvin Walston on bass, and Tommy Wolford on drums.

Willie Gregg was married (and divorced) at least three times and had a total of five children. He eventually returned to working as a butcher. Gregg lived in Buna, Texas, north of Orange, in the early 2000s and passed away on September 10, 2005, at the age of 65 years.

Discography

Kay-Bar Dane KBD-044: Willie Gregg and the Velvetones - You Fool / I'll Find You (1966)
Ringo 2001: Willie Gregg - You Fool / How Long (1968)
Bridge-Way 1003: Willie Gregg - Rebel / A Heart Afraid to Break (1968)
Waterflow 702: Willie Gregg and the Country Kings - She's No Good / If You Want to Be My Woman (1969)
Stop ST 1532: Willie Gregg - You Fool / The Girls in Milwaukee (1971)

See also

• Willie Gregg on Stop

• Willie Gregg on Bridge-Way

• Willie Gregg on Kay-Bar Dane

• Willie Gregg on Waterflow

Sources

• Discogs

• 45cat

• Various issues of the Orange Leader 1961-2005

• Official census records accessed through Ancestry.com 

RFM

Image courtesy of Marshal Martin

While researching a certain record for a Bear Family project, I stumbled across something very interesting. Jesse Parker's record "Hound Dog" on Gilda Records bears the number RFM-412 on the record label. Since I found no other releases on the Gilda label, I researched the RFM prefix and discovered that there were a few more records that shared this very same prefix and the same numerical system (see discography below). While the label names are different, all records seem to have been from the same time period (early 1970s) and most of them from the same region (three from the Natchitoches region and one from Daingerfield, East Texas).

However, I was not able to find out what RFM stands for. I suspect it's a numerical system assigned by a recording studio, which custom-produced those releases. Sidney J. Wakefield's pressing plant from Arizona was often used for pressing the records. Producers were such names as Roy Hines, Vernon Pleasant, and Ernest Self. But what was RFM? And where was it located? 

If anyone knows more about RFM, the labels or the artists, please feel free to leave a comment or contact me via the contact form. Thank you!

Discography

Graham Cracker RFM-406: C.L. and the Playmates - All These Moments / Lonely Street
Graham Cracker RFM-407: Roy Cagle with the Playmates - Somehow, I Still Love You / You'll Never Change
Kana RFM-408: Kanaan - Leave It / Something Inside (1971)
Soul Train RFM-411: Roy Cagle and the Peoples Choice - Just One Kiss / I Can't Find It (ca. 1973)
Gilda RFM-412: Jesse Parker and the Peoples Choice - Congratulations / Hound Dog (ca. 1973)

Sources

• 45cat entries: [1], [2], [3]
• C.L. & the Playmates on Rockin' Hood

Catahoula Country Music Show

Don Wiley and the Catahoula Playboys, 1960s
from left to right: Ruble Tendle Wright (piano), Gene King (guitar), poss. Ruthine Wiley,
J.C. Henderson (guitar), Don Wiley (guitar), Mr. Kiper (first name unknown, guitar),
Bobby Dan Massey (drums), Junior Trisler (bass), and Bill Landrum (steel guitar)

The Catahoula Country Music Show was a local country music stage and TV show, centered around local musician Don Wiley and his band. By the beginning of the 1960s, the golden age of American radio and the big radio barn dance shows was over. Casts of thirty or more acts were too expensive. However, on local basis, such shows were still in demand on a smaller scale. The Catahoula Country Music Show from Catahoula Parish, Louisiana, is such an example.

The Olla Tullos Signal, September 9, 1966

The house band of the show were the Catahoula Playboys, led by vocalist and guitarist Donald R. "Don" Wiley, Sr. He was born on December 26, 1931, to Don Sr. and Myrtle Wiley in Catahoula Parish and married Ruthine Leola Book in 1951. She later appeared on her husband's shows as well. Wiley worked for the Lakeside Ford car dealership in Jonesville, Catahoula Parish, and also had a mobile home dealership in Ferriday. By 1962, he had also organized a band known as the "Catahoula Playboys" that played local dates and toured the Central Louisiana areas.

The Catahoula News,
September 12, 1963

The Catahoula Country Music Show developed out of a July 1962 charity event for infant Gary Wright, who was in need of a heart operation. Soon the funds were raised, which saved Gary's life, and the popularity of the show prompted Wiley and his band to organize it as a regular feature, beginning in September that year. The Catahoula Country Music Show was born. It was first held at the Fort Theater (sometimes also spelled Ford or Fout) in Harrisonburg, the parish seat. Eventually, the old theater building was demolished and the show moved to the former Keith Department Store on Front Street in nearby Jonesville. The building was later promoted as the "Catahoula Country Music Show Auditorium".

The show soon began to attract not only large crowds but also attention outside of Catahoula Parish. By September 1963, the show was carried by KVNV, a station from Ferriday. By February 1966, it was also featured on KALB-TV from Alexandria. The band also had a Sunday morning show on that station and KNOE from Monroe also televised the show at some point. Apart from the Playboys and other local talent like Tommie French, Rip Cannaday, Ray Prince, the Covington Trio, Penny Sue Franklin, Happy Fats, or Alex Broussard, the show regularly featured national stars like Freddie Fender, Jim & Jessie, Carl Story, Bill Monroe, and many others.

The Catahoula Playboys included Don Wiley on vocals and guitar, Gene King on electric guitar, J.C. "Catfish" Henderson on guitar, Bill Landrum on steel guitar, Ruble Tendle Wright on piano, Junior Trisler on upright bass, and Bobby Dan Massey on drums. Of course, the line-up varied over the years and some members came and others left. In their first years of existence, the Playboys played a mixture of country music, pop, cajun, bluegrass, and a bit of rock'n'roll. However, they developed more and more into a bluegrass band throughout the years, eventually featuring Frank Thompson on fiddle and an unknown banjo player. 

In 1966, the band made one 45rpm record for the local Catahoula label, which was followed by an album entitled "Voices of Catahoula" around 1968. They also made another LP around the same time on the Zundak label, "Catahoula Country Time". Several of the show's regulars made records as well. The Catahoula Country Music Show lasted well-into the 1970s, at least until 1973. Ruble Wright and Bill Landrum eventually had their own show in Colfax, the Louisiana Jamboree, which was much in the same style as Don Wiley's show. J.C. Henderson died in 1995, while Wiley passed away on February 9, 2000. Ruble Wright died in 2010 and Billy Landrum in 2015.

We close this post now with the words that Wiley used to sign off his shows: "May you take a likin' to the lord... and he take a likin' to you. Bye cycle!"

Discography

45rpm
Catahoula 1001: The Bottle Let Me Down / Jambalaya (1966)

Albums
Catahoula No. ?: Voices of Catahoula (ca. 1968)
Zundak No.?: Catahoula Country Time (ca. 1968)

Sources

• Discogs

• Southern Music Research Center: Material on Rip Cannaday

• Don Wiley obituary

• Musician Tommie French coming to CCF Coffee Hour

• Ruble Wright obituary

• 1970s Hippiebillie Country Albums

• Thanks to Marshal Martin, who brought the show to my attention and provided a lot of information and photo material!