Joe D. Gibson, better known as Jody Gibson professionally, was a musician rather inspired by the intellectual folk music scene that emerged in the late 1950s than being a rockabilly singer. However, his Tetra release, covers of "Muleskinner Blues (Blue Yodel No. 8)" and "Worried Man Blues", had certainly a rockabilly feel and therefore, made it attractive to the rockabilly revival fans and even secured Gibson a place in the Rockabilly Hall of Fame.
He was born Joseph Paul Katzberg on August 25, 1929, in Brooklyn, New York. By the early 1950s, he had taken up guitar (favoring Martin guitars) and initially wanted to appear under the stage name of "Joe Martin" (inspired by his favorite guitar manufacturer) but found it too reminiscent of a name of a politician, so he chose instead upon "Jody Gibson" (taken from Gibson guitars, actually). He frequently performed in Greenwich Village during this time, becoming part of the folk music scene there, and played with artists like Tom Paley (later member of the New Lost City Ramblers) and Roger Sprung.
Eventually, Gibson joined the U.S. Air Force and became an air traffic controller and was sent overseas to Korea. During the years 1956 and 1957, he took a break from working with the Air Force as his enlistment was over and instead worked as a musician. He toured Canada with Elton Britt, a Jimmie Rodgers-influenced country star, and also worked with him on WWVA in Wheeling, West Virginia.
In late 1956 or early 1956, Gibson met Monte Bruce, whom he had known since his childhood days as Bruce lived in the same neighborhood in Brooklyn. By then, Bruce was the son-in-law of Alan Freed and had set up his own record label Tetra Records in Brooklyn. For this label, Gibson record his debut release, covers of Jimmie Rodgers' "Mule Skinner Blues (Blue Yodel No.8)" entitled "Good Morning, Captain", and of the traditional "Worried Man Blues", renamed "21 Years (It Takes a Worried Man)". The songs were released on Tetra #4450 around March 1957. Although the disc was only available on the east coast (though it was distributed by Chess Records), it eventually sold impressively 475.000 copies. On the actual label, he was credited as "Joe D. Gibson" as Monte Bruce had changed the name.
Jody Gibson, 1950s |
Aside from being a Tetra recording artist, Gibson apparently also worked as a session musician for Tetra quite a bit. It is reported that he worked with another Tetra recording artist at that time, Bill Flagg, playing banjo on some of Flagg's recordings. However, none of Flagg's Tetra releases featured a banjo, so these recordings can only be one of the unreleased tapes by Flagg. However, Gibson later recalled that he played guitar on Flagg's "Go Cat Go". In fact, it was Gibson who put Flagg and label owner Monte Bruce in touch, as Gibson had heard Flagg perform in Hartford, Conneticut, in 1954. Gibson is also said to have performed banjo on the Neons' "Angel Face", another Tetra recording. In turn, Neons member Jeff Pearl performed on "Good Morning, Captain".
The single is mostly forgotten today, although it was very influential. Gibson's "Good Morning, Captain" was the first version of the song to feature a rockabilly/rock'n'roll type arrangement, which was later used by the Fendermen for their rock'n'roll version, which became a massive hit. In fact, the band's guitarist Phil Humphrey credited Gibson's version as the main influence for their arrangement. Gibson's own influences are foggy, however. Although he toured with Elton Britt, who likely had several Rodgers numbers in his repertoire, and was probably familiar with Bill Monroe's 1940 version, too, it was none of them who inspired Gibson for his fast-paced arrangement. Gibson later claimed that he adapted it from a performer he saw in 1955 at the Eastern States Exposition but forgot his name. Author Barry Mazor tried to solve this riddle, as documented in his book "Meeting Jimmie Rodgers", but despite all his efforts, couldn't identify the mysterious musician who made the link between old-time music and rock'n'roll and was responsible for one of rock'n'roll's most unique hits.
However, Gibson was transferred in 1957 from Suffolk County Air Force Base to England, where he soon founded a band, "Jody Gibson and the Muleskinners", and performed mostly electrified versions of country songs like "San Antonio Rose" or "Hillbilly Fever". His style fitted to the skiffle trend in Great Britain at that time and Gibson became acquainted with now legendary producer George Martin, who brought the band to Parlophone Records. Martin later went on to produce the Beatles, among others. Gibson and the Muleskinners recorded two singles for Parlophone, including a cover of the George Hamilton IV rockabilly classic "If You Don't Know".
Gibson eventually returned to the United States, where he continued to work for the Air Force and took part in the Vietnam War. He passed away June 8, 2005, in Newport, Rhode Island, at the age of 75 years.
See also
• The Fendermen on Soma
• 45cat entry
• Rockin' Country Style entry
• Find a Grave entry
• Rock'n'Roll Schallplatten Forum (German)
• The Vocal Group Harmony Website: Spotlight on the Tetra label
• Barry Mazor: "Meeting Jimmie Rodgers" (Oxford University Press), 2009
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